'Tunnel shots' in Hitchcock's films

Hitchcock used a particular kind of shot that shows an individual at the end of a long narrow vista, typically through a hallway or one or more doorways. This narrow perspective, labeled "tunnel shot" by analysts, simulaneously makes the individual seem both isolated and vulnerable.

Sabotage, 1936
Mrs. Verloc after killing her husband

Rope, 1948
The housekeeper clears the buffet, with the trunk (holding a body) in the foreground

The Wrong Man, 1957
Hitchcock's opening statement

The Wrong Man
Manny leaves his wife in
the mental hospital

Stage Fright, 1950
The police station
Vertigo, 1958
Midge exits the hospital (and the movie)

The Birds, 1963
Lydia about the discover a horror

Psycho, 1959
Norman Bates after leaving Marion

Psycho
Lila Crane waits for news