Stam & Pearson on Rear Window:

“most cinematic film”
“paradigmatic instance of reflexivity”
“dismantling of the structures of scopophilia and identification”
“framed genre pantimomes”
“retinal activity and enforced immobility”
“dreamlike spectatorial experience”
“scopic drive”
“private panopticon”
“psychosexual pathology”
“voyeurism, passivity, and implied impotence”
“code of point of view”
"political dimension of voyeurism"
"sexual politics of looking"
“What do you want?' as cinematic question