Dr. Glen Johnson
107 McMahon Hall - 202-319-5114 JohnsonG@cua.edu
appointments Mon Tues Wed Fri 10-12, 1-3 by appointment

Ms. Amy Horan
65horan@cua.edu
Required texts:
Robert Kolker, ed. Alfred Hitchcock's Psycho: A Casebook (Oxford, 2004)
John Belton, ed. Alfred Hitchcock's Rear Window (Cambridge 2000)
Charles Barr, Vertigo (British Film Institute, 2002)

Instructional method:
Film screenings, lecture and discussion, audio-visual examples.

Course goals:
The course provides students with a survey in depth of the works of a single major film "author." Contexts include history and aesthetics of film narrative, cultural background, critical theory and analytical methods.At the end of the course, the student should be familiar with a dozen major works and be able to discuss in depth Hitchcock's approach to film making and contribution to film history. In addition, the student should have a working knowledge of basic film vocabulary as well as of major theoretical approaches and analytical tools in the study of film and narrative.

Course schedule:
[This schedule will develop through the course and is subject to change; check it prior to each scheduled class meeting.]
- class meets MWF 12:10-1 pm in McMahon 200
- film screenings are at 6:10 Mondays in McMahon 200

Mon, Aug 25
introduction to the course
Film screening (6:10): Strangers on a Train (1950; 1 hour 40 minutes)

Wed, Aug 27
discussion of Strangers on a Train

Fri, Aug 29
"Lamb to the Slaughter" from Alfred Hitchcock Presents

Labor Day holiday

Wed, Sep 3
read before class: pp. 3-12 in Psycho book (first part of Hitchcock-Truffaut interview)

Fri, Sep 5

Mon, Sep 8
Film screening
(6:10): Psycho (1960; 1 hour 49 min)

Wed, Sep 10
read before class: pp. 12-73 in Psycho book

Fri, Sep 12
read before class: pp. 74-99 in Psycho book

Mon, Sep 15
read before class: pp. 119-145 in Psycho book
images referred to in Toles essay
Film screening: excerpts from films related to Psycho: the remake, directed by Gus Van Sant (1999); Psycho II, III; Dressed to Kill, directed by Brian De Palma (1980).

Wed, Sep 17
read before class: pp. 147-203 in Psycho book

Fri, Sep 19
read before class: pp. 205-255 in Psycho book

Mon, Sep 22
EXAM 1

Text of the exam
Film screening
(6:10): Shadow of a Doubt (1942; 1 hour 48 min)

Wed, Sep 24

Fri, Sep 26

Mon, Sep 29
Film screening
(6:10): I Confess (1953; 1 hour 35 min)

Wed, Oct 1

Fri, Oct 3

Mon, Oct 6
read before class: pp. 21-46 in Rear Window book
Film screening (6:10): Rear Window (1954; 1 hour 52 min)

Wed, Oct 8
read before class: pp. 1-18 in Rear Window book

Fri, Oct 10
read before class: pp. 57-88 and 110-116 in Rear Window book

Columbus Day Holiday

Tues, Oct 14 ("administrative Monday")
read before class: pp. 91-109 and 118-126 (omit 126-40) in Rear Window book
Film screening (6:10): The Birds (1963; 2 hours)

Wed, Oct 15

Fri, Oct 17

Mon, Oct 20
EXAM 2
: covers Shadow of a Doubt, I Confess, Rear Window, and The Birds.
text of the exam
review guide for the exam
Review notes for Belton book
Film screening
(6:10): North by Northwest (1959; 2 hours 16 min)

Wed, Oct 22
note assignment for essay due November 3

Fri, Oct 24

Mon, Oct 27
Film screening
(6:10): Frenzy (1972; 1 hour 56 min):

Wed, Oct 29

Fri, Oct 31

Mon, Nov 3
PAPER DUE
Film screening
(6:10): Notorious (1946; 1 hour 40 min)

Wed, Nov 5

Fri, Nov 7

Mon, Nov 10
Film screening
(6:10): Vertigo (1958; 2 hours 8 min)
papers returned: information on revising your essay

Wed, Nov 12
read before class: Barr book on Vertigo, pp. 7-31

Fri, Nov 14
read before class: Barr book on Vertigo, pp. 32-64

Mon, Nov 17
read before class: Barr book on Vertigo, pp. 65-80
Film screening (6:10): Obsession, directed by Brian De Palma (1976; 1 hour 38 min)

Wed, Nov 19

Fri, Nov 21
EXAM 3
: covers Notorious, Vertigo, and Obsession
-
Text of the exam
-
basic guide for exam
- review notes on Barr book
-
see also gallery pages on the films

Mon, Nov 24
topic: Hitchcock & his leading ladies
scenes from Marnie (1964)
Film screening (optional: 6:10): Family Plot (1976; 2 hours)

Thanksgiving holiday

Mon, Dec 1
in class this week: Two of Hitchcock's English films with female protagonists:
Sabotage (1936), The Lady Vanishes (1938)
Film screening (6:10): The Lady Vanishes (1938; 1 hour 36 minutes)

Wed, Dec 3
Screening in class: Sabotage

Fri, Dec 5
Screening in class: Sabotage

Fri, Dec 12
Second writing assignment due
click for the assignment

There is no final exam in this course

Expectations and Policies:

Course work and grading
:
- 3 exams
- 2 papers
- attendance
The exams and papers count approximately equally (i.e., 20%) in determining the final grade. Poor attendance will lower the average as follows:
- 4 lecture absences: minus 8%
- each additional lecture absence: minus 3%

- two film showing absences: minus 10%
- each additional film showing absence: minus 8%

Attendance: You are expected to be present at all class sessions including film showings. Attendance will be taken. More than three absence from lecture sessions or more than one absence from film showings will affect your grade: see grading criteria above.

If anything is interfering with your ability to attend class, inform me immediately. We can seek help, but the end of the semester will be too late.

Film showings are mandatory. You may not skip a showing by claiming you have seen the film previously or by promising that you will watch it on your own.
You are expected to be on time for each showing, to stay to the end, and to go in and out of the room only in emergencies.
If you miss a film showing, you are still responsible for seeing the film. Note: I do not lend DVDs.

Excused absence or make-up require a verifiable written excuse such as a letter from a doctor. Although I appreciate emails or calls telling me you will not be in class, this alone does not excuse an absence. Students who miss class to represent the university should consult http://policies.cua.edu/academicundergrad/classabsenceintercollegiateevents.cfm.

CUA policy on attendance:
"Good scholarship requires the presence of students at all class and laboratory meetings. The responsibility for prompt and regular class attendance rests upon the individual student. If, for any reason, a student is absent too frequently from class, it may become impossible for that student to receive a passing grade. Authority for excusing absences rests with the teacher who may request that the student obtain authentication of absences considered unavoidable" (from http://policies.cua.edu/academicundergrad//acregsfull.cfm#XII).

Academic honesty: Academic honesty is expected of all CUA students. Faculty are required to initiate the imposition of sanctions when they find violations of academic honesty, such as plagiarism, improper use of a student’s own work, cheating, and fabrication.
The following sanctions are presented in the University procedures related to Student Academic Dishonesty (from http://policies.cua.edu/academicundergrad/integrity.cfm): “The presumed sanction for undergraduate students for academic dishonesty will be failure for the course. There may be circumstances, however, where, perhaps because of an undergraduate student’s past record, a more serious sanction, such as suspension or expulsion, would be appropriate. . . . In the more unusual case, mitigating circumstances may exist that would warrant a lesser sanction than the presumed sanction.”
Please review the complete texts of the University policy and procedures regarding Student Academic Dishonesty, including requirements for appeals, at http://policies.cua.edu/academicundergrad/integrityprocedures.cfm.